Born outside of Philadelphia, PA, Christopher Bailey turned to music composition in his late ‘teens, and to electroacoustic composition during his studies at the Eastman School of Music, and later at Columbia University. He is currently based in Boston, but frequently participates in musical events in New York City. His music explores a variety of musical threads, including microtonality, acousmatic and concrète sounds, serialist junk sculpture, ornate musical details laid out in flat forms, and constrained improvisation.
Recent commissions include Empty Theatre, a piano concerto with string orchestra, commissioned for a portrait concert of his music as part of the Sinus Ton Festival in Magdeburg, Germany (October 2014); a chamber-music version of Mergurs Ehd Ffleweh Bq Nsolst, ostensibly a field recording of denizens of the planet Mercury, featured on MATA’s 2013 festival in New York City; Composition For S#1††¥ Piano, Drum Samples, Concrete Sounds, and Processing, for the Allen Strange Award of the Washington Composers Forum; Harvest Kitchen, commissioned by Harvestworks in New York City; and Out Of, written for Marilyn Nonken.
He was a 2nd-Prize recipient in the Seoul 2005 International Composers Competition in Korea (Timelash); Balladei (for piano and ‘tape’) was a finalist at the Earplay competition in 2007; Sand (an interactive computer-music composition) won a mention at Denmark’s 2007 Infinite Composing interactive computer-music competition; Walking Down the Hillside at Cortona, and Seeing it’s Towers Rise Before Me (for 2 pianos tuned to 19-tone-equal-temperament) won a mention in the 2009 Salvatore Martirano Competition at the University of Illinois. Previous awards include prizes from BMI, ASCAP, and the Bearns Prize.
Here is an official CV if you need one.