Christopher Bailey

For my song(s) for piano, bassoon, and voice, I chose to intertwine 2 poems about fog by Sara Teasdale. Shown here is the intertwining as deployed in the song:

These are the Just Intonation lattices used in my song Act, which you can find on Bandcamp or elsewhere.

The liner notes to my album Harvest Kitchen can be found here.

Sand is an all-electronics work, but to help me enter all of the notes  into the score(s) for its virtual instruments, I made a full score of the piece.   Each stave is one of the 6 registers for one of the 3 pitched instruments,  as well as some staves for musique concrète sounds and the […]

The Sand Interface is an interactive way of exploring my work, Sand from 2002. You can set up loops, take apart the polyphony in a number of different ways, use it to explore the music, as a weird kind of DJ tool, whatever you like! You can see a demo of how to use it […]

This paper was presented at ICMC 2010.  Sorry it’s in PDF format.

To read about the 19-edo [serial] Array from Sand, please see this web page.

This is an older post, I’ll be moving it into WordPress soon, but in the meantime, you can click to read about the Compositional Process in Timelash .